2018 07 24 • Italy/Switzerland Live Dates Aug 2018


This August, I will be road testing the new Electric Oud Solo element of my upcoming solo project Kawalees at a few shows across Italy and Switzerland. 

Kicking off at Italy’s Experimenta Festival in Polignano a mare on 3 August, the tour will take in Rimini and Carpi, before ending with two “dawn concerts” in Lausanne and Geneva’s Les Aubes at the Bains de Pâquis.

Hope to see you there!

03 AUG 18
Experimenta Festival, Piazza San Benedetto, Polignano, IT

04 AUG 18
Neon Café, Rimini, IT  

05 AUG 18
Coccobello Festival, Chiostro San Rocco, Carpi, IT  

12 AUG 18 (6am concert)
Jetée de la Compagnie, Lausanne, CH  

14 AUG 18 (6am concert)
Les Aubes, Bains de Pâquis, Geneva, CH

2018 06 06 • New website


On this auspicioius day, the seventh birthday of Resonance/Dissonance (2011) and the day of the passing of C. G. Jung (1961), a new website is here. 

All the sections are complete, but a few updates will continue to happen here and there, especially to the archived listing of previous live performances, and the archived interviews. I hope you enjoy looking around.

Please do join the newsletter mailing list if you want to stay updated.




2018 05 18 • Bahrain Pavillion, Venice Architechture Biennale



Join us in Venice this week to hear Spectral Cityscape No 1., my first sound installation/composition, and watch me present my new Electric Oud Solo, as part of the Bahrain Pavillion at the Venice Architecture Biennale.

Spectral Cityscape No. 1 is an eight-channel sound installation of microtonal synthesis and field recordings, comissioned for and premiered as part of Friday Sermon, the Kingdom of Bahrain’s National Participation at the 16th International Architecture Exhibition - La Biennale de Venezia, curated by Nora Akawi and Noura El-Sayeh.

The composition, which runs every Friday at noon from 25 May – 23 November 2018, takes an abstract look at the pavilion’s topic - the Friday Sermon - within the biennale-wide theme of Freespace. Based on a synthesised rendition of the Friday call to prayer as if heard from above an Arab city’s sprawling architechture, it is inspired by a trip I made to Damascus in 2010 before the war in Syria.

On Friday 25 May the composition will run at midday and will be followed by performances from Giuseppe Ielasi and myself at 16:00. 

For more information on the installation please check it’s project page here.

2018 04 14 • AHRC M3C Doctoral Studentship Award


I am proud and excited to share with you all that I have been awarded a full 3-year studentship to sudy for a PhD in Composition at the Royal Birmingham Conservatoire in the UK!

The AHRC Midlands3Cities Doctoral Award is provided by the UK’s Arts and Humanities Research Council and will accompany me back to university in autumn 2018. 

The three-year practice-based research degree will be supervised by Sean Clancy and Scott Wilson (University of Birmingham) and will focus on the application of contemporary acoustic, electro-acoustic and electronic compositional techniques and processes to Arabic music, and apply the fundamentals of Arabic music to contemporary compositional processes and techniques for western classical instruments.

Wish me luck!
© 2018 Khyam Allami